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## Posts

- [CV](https://jennybrownjenny.com/?page_id=43) - DOWNLOAD PDF selected G a l l e r y Another Vacant Space “Concentration camp bark scrapers” Berlin Gallery Weekend Germany 2011 Black Stars on a White Sky “Transmission” Chateau de Sacy, Sacy-le-Petit France 2010 White Rabbit Rylstone Projects Rylstone 2010 Breathing Space “Parrallel Play: developmental psychology for capitalists” Hawkesbury Art Gallery 2009 A Spiers

## Pages

- [JENNY BROWN](https://jennybrownjenny.com/) - Jenny Brown - Artist
- [Halley's Sky News: alienation, law & the environment](https://jennybrownjenny.com/works/sky-news-2/) - This work, using recycled part-completed tapestries from a disability service, traces the alienating effects of capitalism that begins with Indigenous connection in a quote by academic Mary Graham: ‘I am located therefore I am.’ Successive panels track this increasing alienation through core world events that includes and extends Hannah Arendt's discussion on this theme. The
- [Fauvette work examples 2026](https://jennybrownjenny.com/fauvette-work-examples-2026/) - A. Moving image excerpt material (total around 15 mins - sample excerpts from works) The Allo-Paradox Method Onstage single screen projection with documentation of accompanying performance at Carriageworks for Liveworks (2022). Pick-Up-Needle-Bottom-Of-Sea Documentation of backyard creekline performance with sections filmed at Performance Space (2021). Burnt Stars Gallery installation walkthrough incorporating some projection footage (2015). Eclipse Multi-screen installation with
- [Yellow Journalism](https://jennybrownjenny.com/yellow-journalism/) - The work explores some of the ways artistic effort is used to fabricate false narratives as part of warmongering and ongoing war. Moving image elements trace historical roots when the term yellow journalism was coined that described William Randolph Hearst’s poaching of a cartoonist from a rival New York newspaper and his announcement: “You furnish
- [Eclipse](https://jennybrownjenny.com/eclipse/) - This work explores eclipses, the astronomical events that occur when the Earth and Sun, or the Earth and Moon become aligned and the Sun or Moon is temporarily obscured from human terrestrial view. One video explores tree memory, growth, and resilience by depicting synchronising bioelectrical tree behaviour that occurs as an eclipse response. Older trees
- [Always mind the bollocks](https://jennybrownjenny.com/always-mind-the-bollocks/) - This installation explores some of the sexism and racism that impacted negatively on the life and work of Baroness Elsa von Freytag-Loringhoven, whilst acknowledging the strength she drew from her roots in Munich’s Dionysian movement and attitudes as New York's first punk. In doing so, the work shifts the accepted reading of the last painting
- [CV](https://jennybrownjenny.com/cv/) - Jenny Brown combines video, photography and installation, often as multi-screen environments, some incorporate community-scripted performances: a boat for the low-lying Pacific Islands (Mayday-2006), a train-carriage in coalmining-country for Cementa_2015, and a five-township co-organised roving corroboree (2019). Exhibiting work in 13 countries, Brown’s screenings include festivals at the New York Film Anthologies (2017/2020), Florianópolis, Brazil (2017)
- [OBJECTS & INSTALLATIONS](https://jennybrownjenny.com/works/) - - gallery-based artefacts, objects and images Burnt Stars Halley's Sky News: economics, advertising & psychology Halley's Sky News: alienation, law & the environment Birds watch New Kingdom nobles pass Self-Service Wells Act Always mind the bollocks Deriving from Elsa: roses are growing wheels This moving image work incorporates the work above Slow hope, becoming
- [WRITING](https://jennybrownjenny.com/writing/) - Featured: Arts & Climate Mosaic, Americans for the Arts, Arts Link Fall/Winter 2022 Special Edition: Arts & Climate Change. Jenny Brown (2022). Allodoxic Interventions as a Form of Ecoart in Ecoart in Action: Activities, Case Studies, & Provocations for Classrooms & Communities edited by Amara Geffen, Ann Rosenthal, Chris Fremantle & Aviva Rahmani. New Village Press. Kimberly
- [public art - permanent / projects in the city of Sydney](https://jennybrownjenny.com/public-art-permanent-projects-in-the-city-of-sydney/) - Public Art - permanent Artnode sculpture trail, Newcastle (funded by Newcastle City Council, Arts NSW and the Australia Council for the Arts) Glebe Point Road public art program- Riding what's left (funded by the City of Sydney to design stage) Initiation, Central Coast (funded by Gosford City Council) BAU Architects, Shanghai (funded by the Australia-China
- [Backtrack dieback](https://jennybrownjenny.com/backtrack-dieback/) - Download this Map and the following brochures to find out how to make Sydney more resilient to the problem of Phytophthora (Dieback): Native Garden Plants Resistant to Dieback Phytophthora in Australia and Resistant Lomandras Phytophhthora and Vegetation Dieback in Sydney Harbour's Bushland IF YOU SEE BUSHLAND VANDALISM IN WILLOUGHBY PHONE COUNCIL ON 97771000 Project Background
- [COLLABORATION](https://jennybrownjenny.com/collaborations/) - Backtrack dieback: addressing environmental vandalism with Tom Levick The allo-paradox method: journalist rights with john shipton Maladaptation: environmental law with bev smiles The end of dollar hegemony: prosthetic limb collection with an anonymous friend Wink: anti-hegemonic gestures with djon mundine The Lagoon reCycle: Sri Lanka's nutrition security & food
- [Burnt Stars](https://jennybrownjenny.com/public-projects/burnt-stars/) - Focussing on the life and legacy of Hannah Arendt, this work shows the importance she placed on the role of ethics, shared action and remembrance as part of community citizenship. Hamburg activist Lena counters the other positions presented in Joseph Beuys' fictional Tartar rescue, which is extended to include a crash-landing onto Martin Heidegger's hut.
- [kandosgate](https://jennybrownjenny.com/public-projects/kandosgate/) - After a quick nod to three outspoken war-related public right-to-know advocates - Australian war crime whistleblower David McBride, John Shipton the father of Julian Assange, and Greens senator David Shoebridge - this drama aims to capture some of their actions, by extending their stories and bringing them home to a regional Australian community. In doing
- [PARTICIPATION](https://jennybrownjenny.com/public-projects/) - - involving individuals and communities through participation Kandosgate Pick-up-needle-bottom-of-sea Burnt stars Placing stones as they are found Tied, mayday 2006 Cicada Leaf-selling event Glebe audio tour: seeing what's left Chinese take-out menus Hedging and speculation Initiation
- [Tin Sheds](https://jennybrownjenny.com/tin-sheds/) - STILL IMAGE SUPPORT: Jenny Brown Images showing two possible tapestry presentation styles, inclusion of props as exhibition display, and a detail showing elements related to the CIA-led Guatemalan coup. Image: Kandosgate After a quick nod to three outspoken war-related public right-to-know advocates – Australian war crime whistleblower David McBride,
- [The Allo-Paradox Method](https://jennybrownjenny.com/collaborations/the-allo-paradox-method/) - SUMMARY: This short film is a response to a long tic-tac conversation with John Shipton. The focus is on allodoxia, or programmed misrecognition, as a means to understand the ways that activism responds to some of society’s dynamics. “The Allo-paradox Method” describes dialectical thinking to balance, or synthesise the opposing forces of allodoxia, a catalyst
- [Pick-up-needle-bottom-of-sea](https://jennybrownjenny.com/public-projects/pick-up-needle-bottom-of-sea/) - Produced with development funding and production support from Performance Space, Sydney for the LIVEWORKS FESTIVAL 2021. It is the first part of a work followed by The Allo-paradox method, which plots a line to Wikileaks as part of a collaboration with John Shipton, produced with support from Performance Space, Sydney for the same festival in 2022. 'Singing in
- [artspace studio support](https://jennybrownjenny.com/artspace-studio-support/) - COMMENT: If successful, I will use the studio as a full-time accessed base because I will be living close to it. I would enjoy participating in Artspace’s expanded artistic program. I continue to shape publishing and presentation outputs extending out from my doctoral study, and enjoy sharing it with others. Also, my socio-political practice benefits
- [Sun Insurance Office: policy with data mapper ann finegan](https://jennybrownjenny.com/collaborations/sun-insurance-office-data-mapping-with-writer-ann-finegan/) - The insurance system is our society's primary risk governance tool. The linkages between the insurance system, the global economy and the Earth system, with one embedded in the next is highlighted in the mapping processes of the work. I developed the policy in response to Ann Finegan's performance mapping renewables and non-renewables for each of
- [Temporary refuge: eco-friendly home-building](https://jennybrownjenny.com/institutional/temporary-refuge/) - These projects explore affordable housing and key environmental objectives of small scale, material re-use, possible fireproofing through the use of a solid steel structure, and the desire to build a dwelling from an ‘additive’ gleaner sculptural approach. The name of the work relates to the Sixth Patriarch Hui Neng's who said “The body is an
- [ROUGH CUT](https://jennybrownjenny.com/writing/rough-cut/)
- [Placing stones as they are found](https://jennybrownjenny.com/public-projects/placing-stones-as-they-are-found/) - Following advice provided by experts in Australia and China, Placing stones as they are found explores mining and globalism from the contradictory careful singular action of trying to “undo” the trajectory of a few small decorative Chinese stones. In a related journey from Uluru to the Australian coastline people discuss their connection to stone whilst
- [](https://jennybrownjenny.com/support-material-peter-kennard/) - STILL IMAGE SUPPORT MATERIAL: Peter Kennard Image 1: Stories of recovery and hope were developed with Lithgow residents after the Black summer Bush Fires during 2019 and 2020 for the work SALVAGE, an arts/health focused site-specific immersive work by these participants with artist collective Trybal Productions, 2022.
- [The Lagoon reCycle](https://jennybrownjenny.com/collaborations/the-lagoon-recycle/) - This project will update and extend the Lagoon Cycle (1972 - 1984), created by the western art field's eco-art pioneers, Helen and Newton Harrison. The thirty-panel work is housed in the Pompidou Art Centre collection and is about watershed ecosystems, life's complexity, human hubris and climate change. It entails an exchange between a lagoon-maker searching for
- [Vernacular: covid & smoke-free domes with Bio-Air & ANSTO](https://jennybrownjenny.com/collaborations/covid-smoke-free-domes-with-bio-air-ansto/) - Proposed for 2020, this community outreach project will design a resilience program with online education resources tailored for use during bushfires and COVID-19 outbreaks. It comprises design and implementation strategies for the use of a mobile dome fitted with air scrubber technology that will provide optimum air conditions free from smoke and COVID-19 when used
- [The end of dollar hegemony](https://jennybrownjenny.com/collaborations/the-end-of-dollar-hegemony/) - A project accepted by Mori Gallery in Sydney in 2006 involved collecting and storing prosthetic limbs and other items such as rubber stoppers for walking sticks, before sending them to Afghanistan. It included workshops involving activities preparing the objects for sending overseas, such as: cutting the prosthetics neatly in order to avoid customs services
- [Solastalgia 1 & 2: coal-rich land with Wollar & Bylong](https://jennybrownjenny.com/institutional/solastalgia-part-two/) - part 2 Documentation of scripted performance Solastalgia involving coalmining impacted community members, their advocates and artists at a multi-screen train carriage, Cementa_15 Contemporary Arts Festival, Kandos 2015. The Irish Potato Genocide and Australia's neo-extractivism is mashed up with Ray Bradbury's Fahrenheit 451 to add a capitalist crisis to our social and political vacuum. Our event
- [corroboree YAAMA NGUNNA BAAKA: dance with Baaka communities](https://jennybrownjenny.com/collaborations/corroboree-yaama-ngunna-baaka/) - A short article I wrote for Museums & Galleries NSW acknowledging the main partners and inkind supporters see HERE. Jessica Maurer Mark Merritt followed by David Wright
- [Tied, mayday 2006](https://jennybrownjenny.com/public-projects/tied-mayday-2006/) -  This work includes documentation of a funerary performance on the Tribal Warrior boat at Farm Cove Sydney held with members of the Pacific Island Mount Druitt Action Network and other Pacific Islander Australians. Shown on multiple computer screens inside the boat as part of the performance, participants share their understandings and hopes about climate
- [Tony Abbott yule logs](https://jennybrownjenny.com/works/tony-abbott-yule-logs/) - Tony Abbott Yule Logs are hollowed-out previously felled pine sections anointed with Clandulla wattle, wine and oil that are typically used for pagan cleansing rituals. These logs were used in an event attended by over 100 people iin Clandulla for the Cementa_15 Festival in Kandos, April 2015. An Artlink article contextualises the work within the broader
- [Compounds of a Prism](https://jennybrownjenny.com/works/schwitters/) - Compounds of a Prism with David Medalla performing Songs from the Merz Dungeon of Dreams, Another Vacant Space Berlin 2012 This work was made in response to the task to house a work in a vitrine relating to the life and work Kurt Schwitters. The constant movement that Schwitters undertook to navigate the turbulent political
- [Lotus feet](https://jennybrownjenny.com/works/lotus-feet/) - Views BAU Gallery Shanghai Australia-China Council residency, supported by NAVA & NSW Ministry for the Arts. Lotus Feet River Breaking the bones for footbinding was most suitable when feet were 8 cm long. There are still over 1 million women in China today with footbound feet. III is the Chinese symbol for river.
- [Halley's Sky News: economics, advertising  & psychology](https://jennybrownjenny.com/works/sky-news-1/) - This work comprises over forty tapestries bought from a disability service stitched to explore the intersections of economics, psychology and advertising. It shows some of the successful campaigns Edward Bernays devised on behalf of government and corporations in a predominantly European and American story. The tapestry's beginning book-end is the specific event that has shaped the
- [Birds watch nobles pass Self-Service Wells Act](https://jennybrownjenny.com/works/birds-watch-new-kingdom-nobles-pass-self-service-wells-act-at-the-nile-basin-authority/) - Birds watch New Kingdom nobles pass Self-Service Wells Act at the Nile Basin Authority plays with Alfred Hitchcock's The Birds from 1963, which is possibly the first artwork of the western world that presents a post-anthropocentric viewpoint. The 'watergate' scandal sets Australia's Murray and Darling River crisis caused by successive governments and the ruling elite
- [Many happy returns: systems thinking with sacha kagan](https://jennybrownjenny.com/collaborations/many-happy-returns/) - A presentation by Semmer Berlin Project Space This show takes its name from an episode of The Prisoner, a 1967 cult British television series about a British former secret agent who is held in an isolated mysterious coastal village resort, where his captors try to find out why he abruptly resigned from his job. The
- [support material: installation](https://jennybrownjenny.com/installation/) - Please click on images for enlarged view 1. Slow hope: becoming coronavirus (2020) sees me protected by a helmet and hidden in a reflected and projected image within the makeshift debris and detritus structures. I slurp at an image of myself, attempting to become whole again by drinking myself. This is in reference to Narcissus
- [Maladaptation: law with bev smiles](https://jennybrownjenny.com/collaborations/maladaptation/) - Maladaptation points to the way that stereotypes and hyppereal plotlines are being extended into our everyday lives to frame active citizenship as criminality, as part of making anyone vulnerable to removal or extradition without a blink of the public eye. The work does this by presenting community advocate Bev Smiles as the Meryl Streep character
- [Slow hope : becoming coronavirus](https://jennybrownjenny.com/works/slow-hope-becoming-coronavirus/) - Protected by a helmet and hidden in a reflected and projected image within the makeshift debris and detritus structures, I slurp at an image of myself, attempting to become whole again by drinking myself. This is in reference to Narcissus the Greek god that fell in love with his own image without recognising it, my
- [Halley's sky news: hedging and speculation](https://jennybrownjenny.com/public-projects/halleys-sky-news-hedging-and-speculation/) - Franklin Scarf’s counter-culture career presented in the second part of this two-part work explores economics, psychology and advertising from outsider realms to speculate on the hegemonic path and to contribute ideas about alternative possibilities. Housed within an inside-out garden shed a video of Franklin shows him presenting his bubble-in-a-bubble-in-a-bubble performance. In 1936 British economist John
- [INSTITUTIONAL](https://jennybrownjenny.com/institutional/) - - working with policy, institutions, organisations and systems to produce change Solastalgia 1 & 2: coal-rich land with Wollar & Bylong Temporary refuge: eco-friendly home-building Seams like Newcastle: differently abled ArtNode: differently abled Blue Mountains Woodworking Collective
- [Wink: anti-hegemonic gestures with djon mundine](https://jennybrownjenny.com/collaborations/wink/) - Wink The Social, Verge Gallery, Sydney 2012. Kandos Projects, Kandos 2011. A Spiers Embers, Eidos Foundation, ГОГОЛЬFEST2009 Kiev, Ukraine 2009. Indigenous Australians are clearly one of the most disenfranchised groups of people in the world. In my work Wink, I explore the criticality many Indigenous people possess to interrogate and sum up a range of interlocking social games
- [Surveillance series](https://jennybrownjenny.com/works/surveillance-series-from-the-shanghai-natural-history-museum-2/) - Surveillance Series from the Shanghai Natural History Museum shows a series of hand-crafted exhibits from the museum of marine and other animal life, that express the fear and paranoia that can result from surveillance by the operations of institutions and the fabric of communities. Following on from the work of Foucault, Australian sociologists Barry Hindness
- [Concentration camp scrapers](https://jennybrownjenny.com/works/concentration-camp-bark-scrapers/) - Georgio Agamben radicalises Hannah Arendt’s thesis that the concentration camp is the central institution of totalitarian society by extending it to the liberal democratic societies of the contemporary West. The camp according to Agamben, is "the space that opens up when the state of exception starts to become the rule." His important rumination on the state
- [House Conspiracy-led environmental art program](https://jennybrownjenny.com/institutional/spring-hill-reservoirs-work-progress/) - This residency culminated in exhibition and performance programming across two venues involving 22 artists. See my article on the House Conspiracy website HERE. Supporting partners: Museum of Brisbane, Roslyn Oxley9 Gallery Sydney, Liquid Architecture (producer of performance program), Brisbane City Council, Queensland College of Art and the Australian Earth Laws Alliance. Assistant curator: Joseph BurgessHouse
- [Beyond Rapa Nui: food security with Sydney Food Fairness Alliance](https://jennybrownjenny.com/institutional/beyond-rapa-nui/) - Beyond Rapa Nui: Policy and plan for Sydney’s food production Reliquaries of empires dust, Bereznitsky Gallery Berlin, Germany Project developed in collaboration with Gavin Ramsay from UWS working with 13 local government councils, Australia Council for the Arts, and over 20 other organisations including the Sydney Food Fairness Alliance. The work builds on a regional
- [My name is Sud: racial diversity with Blacktown Arts Centre](https://jennybrownjenny.com/institutional/my-name-is-sud/) - The purpose of the 120-page learning material booklet I wrote is to support the performance My Name is Sud, produced by Blacktown Arts Centre. From 2007 to 2010 Blacktown Arts Centre was involved in an extensive community cultural development program with the local Sudanese community to produce the play My Name is Sud (Soo-d) which
- [Seams like Newcastle: differently abled](https://jennybrownjenny.com/institutional/seams-like-newcastle/) - Initiator & collaborator with 99 people with a disability, Civic Railway. Funded by the Newcastle (Invasionist) Bicentenary Corporation Newcastle In 1997 I facilitated a mural project with 99 people with disabilities to draw public attention to the lack of accessibility of Newcastle’s central railway station. Collectively, the tile mural celebrated disability culture rather than protesting
- [Artnode: differently abled](https://jennybrownjenny.com/institutional/artnode/) - Sculptural trail completed in in 2003 employing 12 artists and involving horticulturalists, five university faculties and groups of people with disabilities. Includes five carved stone works, access audio guide, access map and documentary. Funded by the Australia Council for the Arts CCD & NSW Ministry for the Arts CCD & Indigenous Programs, Newcastle City Council,
- [Glebe audio tour](https://jennybrownjenny.com/public-projects/glebe-audio-tour/) - Glebe Audiotour: seeing what’s left Self-directed walking audiotour involving interpretation of Glebe Point Road’s cultural and political hotspots that documents most of Australia’s left wing history. Funded to concept stage by the City of Sydney, 2001. Sydney The aim is to create a 2-hour walking audiotour of Glebe Point Road incorporating major aspects of Australia’s
- [Initiation](https://jennybrownjenny.com/public-projects/initiation/) - Sculptural work at Ourimbah incorporating plants propagated, and beds designed and planted by Morriset Hospital forensic clients and Community Environment Network, 2005. Funded by Gosford City Council with in-kind support from Gosford Quarries and Organic Matters. Change requires transition that is expressed in the various archetypes of initiation described by Jung as submission, containment and liberation.
- [Reflections](https://jennybrownjenny.com/public-projects/xxxx-reflections/) - Collaborator with people from culturally & linguistically diverse backgrounds with a psychiatric disability who took photos and developed them in our workshops for an exhibition at Newcastle Region Art Gallery. Funded by Carnivale & Accessible Arts, 1999.
- [BHP ribbons of steel](https://jennybrownjenny.com/public-projects/bhp-ribbons-of-steel/) - BHP Ribbons of Steel Curator and project development collaborator for over 50 projects (26 with steelworkers) to commemorate Newcastle's BHP Steelworks closure in 1999. In closing operations in Newcastle BHP did so with little or no compensation to the local community and escaped the huge burden of cleaning up the site to green-field standards. Funded
- [Leaf selling event](https://jennybrownjenny.com/public-projects/leaf-selling-event/) - The Space Between A tree in Gosford Mall provided support for a stall. Some of the tree's leaves were pinned to a display board that were sold to passers. Conversations focused on questions about determiners of commodity desirability, owners of materials and production processes and products for sale, controllers of monetary regimes and determiners
- [For healing](https://jennybrownjenny.com/works/for-healing/) - For Healing Gosford Regional Art Gallery Gosford 2005 A short video documenting Suzhou’s only architectural restoration company undertaking work. This work was made as part of an Australia­‐China Council residency, supported by National Association for the Visual Arts & NSW Ministry for the Arts in 2005.
- [Developmental psychology for capitalists](https://jennybrownjenny.com/works/parallel-play-developmental-psychology-for-capitalists/) - Sydney College of the Arts Gallery, University of Sydney (curaotr Nicholas Tsoutas); Breathing Space, Hawkesbury Regional Gallery Sydney 2009 and Testing Grounds Melbourne 2017 (Annabelle Lacroix). Parallel play is a term used to describe the way three to five year olds play as individuals alongside each other, rather
- [Singleton women's script](https://jennybrownjenny.com/works/singleton-womens-script/) - Singleton Women’s Script Three 1m x 1m found photographs, pins, embroidered teapot cosy and cassette recorder. Transmission phases of the secret women’s script that originated in the Singleton district are hallmarked by a dominant mode of exchange. Panel One shows houses that in 1867 made cards and letters with the script. Panel Two shows houses
- [Hitchhiker's guide to the Symbiocene: ecophilosophy with glenn albrecht](https://jennybrownjenny.com/collaborations/hitchhikers-guide-to-the-symbiocene/) - Brief Description: In the first section we are switching roles as parts of the machinery of late capitalism: excavator operator stripping naked ourselves and Mother Nature, television studio and television viewers, and audio-guide learners. In the second section we come to know that our illness of solastalgia, or the lived experience of negative environmental change,
- [Blue Mountains Woodworking Collective](https://jennybrownjenny.com/institutional/blue-mountains-woodworking-collective/) - dumped wood former disused Blackheath Tip site view to hanging swamp from Tip Site INTRODUCTION to Document for Local Government Council As Australia moves forward with an understanding of the global importance of sustainability from social, cultural, economic and environmental perspectives the Blue Mountains community stands poised to take advantage of this. The
- [Cicada](https://jennybrownjenny.com/public-projects/xxx-cicada/) - Coordinator & collaborator with gay HIV+ men & Nogoroe-kah Indigenous Theatre Company to produce a float and choreographed performance for the Mardi Gras Parade, Sydney 2007
- [Kin tucka tiddas](https://jennybrownjenny.com/public-projects/kin-tucka-tiddas/) - Set designer with actors for the play Kin Tucka Tiddas by Nogoroe-kah Indigenous Theatre Company. Funded by the Australia Council for the Arts & the NSW Ministry for the Arts. Produced and presented in Newcastle, 1999. Direction: Fiona Winning and co-writer with actors Music Composition and Sound Design: Jacqueline Amidy
- [Chinese take-out menus](https://jennybrownjenny.com/public-projects/chinese-take-out-menus/) - Given globalisation is not about equity, homogenisation or developing networks of interdependence through globalism, as a one-way accelerated street it can be considered as a type of of collecting. My interest in asking Harley Spiller to assist him with his Guinness World Book of Records one-day count of his Chinese take-out menus collection in New
- [Learning the ropes](https://jennybrownjenny.com/public-projects/learning-the-ropes/) - Learning the ropes - Tribal Warrior Program Students from Green Square (behavioural) School learnt crewing skills from the Tribal Warrior, an Indigenous owned and crewed boat involving pathway programs to mainstream education, Sydney 2007. Funded by Australians Working Together.
- [As above, so below: the NY Stock Exchange](https://jennybrownjenny.com/works/as-above-so-below-the-new-york-stock-exchange/) - Astro Stats for the American Stock Exchange by Jack Gillen with an internet astrology travel program enabled charting of the New York Stock Exchanges (NYSE) "travel experiences" in South America printed onto a banner in Spanish and English and shown as part of a residency and exhibition program at Galleria Metropolitana, Santiago Chile 2007. This